The universe evolves through its own creations. Each new form that emerges through the process of evolution becomes the platform and the process of evolution’s continued unfolding. All of the results of evolution immediately become the means for further evolution.
Carreira, Jeff; Carreira, Jeff. American Awakening: Evolutionary Spirituality, Non-Duality, and Free Thinking in the Tradition of American Philosophy (p. 39). Emergence Education. Kindle Edition.
A central part of evolution and therefore spirituality are the archetypes.

Archetypes are easier to recognise than define. We can all get the idea that a figure such as “mother” is a pattern which occurs across different species, peoples and cultures over time. But what do we mean when we call “mother” an archetype? The word archetype is from the Greek “arkhetupos” (ἀρχέτυπος) and was used to describe a “first mould” or model, in the sense of being the initial version of something later multiplied, such as a mould for a pot. The word had two parts, “arkhos” (ἀρχή) meaning first or chief and “tupos” (τύπος) meaning mould, pattern or type. The word then translates literally as first or primary pattern. This seems quite straight forward when applied to pottery, as it was originally by the ancient Greeks, but of course it didn’t stop there (it never does!) as the idea of archetype was later applied to the world of biological categories and ideas. It is when “archetype” is applied to the realm of biology or ideas that its original meaning as first mould becomes less applicable, for it does not make as much sense to talk about the first mould of mothers or of an archetype like the hero. What we might want then is a definition that encompasses the intention of its first Greek usage but allows us to understand how it is used in the modern sense.
I have been studying archetypes for several decades and have read much on the topic and thought about it a great deal and it is out of that endeavour that I would like to suggest a working definition (that we shall add to as we go along): An archetype is an organising pattern. So, applied to the original Greek idea of a pottery mould, we can see how the original acts like a pattern which organises the clay and replicates the original template. However the emphasis is not so much on the mould itself as an object but more on what the original mould actually does – it acts as an organising pattern for the clay from which the copies are made.
Now when we turn to the later usages of the word “archetype” we may begin to see how this definition can be useful. The archetypes of mother and hero are organising patterns which bring forth the many examples of mothers and heroes we encounter in everyday life. Let’s go into this more deeply. The first thing you may wonder about is, if an archetype is an organising pattern, what these patterns might actually organise. So let’s take the example of mother, which is firstly an archetype within biology, what does the archetype of mother actually organise? Well firstly we might notice that it organises behaviour. After all, being a mother is about giving birth and nurturing an offspring. It makes sense then that evolution would throw up this behavioural pattern of mothering for reproductive purposes, it’s a neat way of organizing biological reproduction. But something must drive this pattern of behaviour so the second organising we might notice is instinct. Archetypes can form instincts – biological drives which cause female animals to mate in order become mothers and instincts which lead them to protect, feed and nurture their offspring. But there’s more! We can also notice that the archetype will also organise the physical bodies of mothers. And here nature is resplendent in its variety as well as commonalities with ovaries, eggs, wombs and breasts all becoming part of female biology somewhere along the path of evolution resulting in the biological forms associated with being a mother.
Yet the organising of the archetype goes on. You could also paint a picture of what a human mother looks like and you would have an archetypal image (more on this later) or you could write a story about a mother’s fierce protection of her child and you could notice that the mother archetype will also organise art and literature. And people have worshiped the mother goddess, so it appears that the archetype has also organised spirituality.
But what makes this all so interesting is that the archetype also organises the inner life of individuals. The mother archetype may activate in one person as sense of warmth and affection due to a positive experience with their mother, in another a slow smouldering anger. Later on in life, the mother archetype might produce a feeling of longing in a woman as she begins to imagine having her own child.
As organising patterns, archetypes are therefore the engine of evolution. This is enormously significant for evolutionary spirituality as they will drive our personal evolution forward. Not only does the mother archetype facilitate the evolution of the species but for an individual woman it also leads to maturity and self-giving love.
The core of the archetype is formed by its function. We have already noticed that archetypes generally have a purpose. Here I am going to draw upon the recent field of philosophy of information. Archetypes are information “for something”, they are information for a purpose. In his book, Information: A Very Short Introduction, Luciano Floridi points out that DNA is also Information for something (chapter 6), it is instructional as it guides how the organism develops and functions. In the case of humans, it contains the instructions for forming ears and blood, brains and hair colour. Archetypes are likewise best described as “information for”. Let’s return to our early example of the Greek pot – the template is information for the shape of the replicas, the mother archetype is a template for female reproduction and the hunter archetype is the template for an organism’s carnivorous food gathering. Each of these archetypes is shaped by the purpose they fulfil for the organism.
The function also gives archetypes their stability. The mother archetype remains as long as it fulfils its function; as long as it is integral to the process of biological reproduction. Evolution obviously throws up different variations of the mother archetype but these will only survive as long as they lead to successful reproduction, in other words, an archetype’s functionality prevents too much variation. Any variation which does not lead to successful mothering will not be passed on to the next generation. As well as stability, an archetype needs reproductivity to endure. The mother archetype only endures if it can be passed on from one generation to the next. Obviously this is substantially through our DNA but it is also passed on in culture as the mother cat learns mothering from her own mother. Here we have to be careful to embrace the complexity of this transmission lest we get caught up in the old nature vs nurture debate – the answer seems to be that nature uses whatever is at its disposal to replicate vital patterns, including DNA and culture.